منٹو کے افسانوں میں حقیقت اور فحاشی کا مسئلہ

The Issue of Reality and Obscenity in the Short Stories of Saadat Hasan Manto

Abstract

Saadat Hasan Manto, one of the most renowned writers in Urdu literature, is known for his bold exploration of human psychology and societal issues through his short stories. His works, particularly from the post-partition era, have been subjects of intense debate for their depiction of the harsh realities of life. Manto's stories often blur the lines between reality and obscenity, leading to complex discussions about morality, art, and literature. This article examines the dual themes of reality and obscenity in Manto's stories, analyzing how he presents human suffering, desire, and the societal taboos of his time. Through a detailed exploration of his key works, this paper delves into the controversial nature of his writings and the literary value they provide, all while reflecting on the socio-political climate of pre- and post-partition India and Pakistan. It discusses the societal implications of Manto's art, the censorship he faced, and how his portrayal of taboo subjects contributed to the evolution of Urdu literature